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Press

Houston Chronicle, June 2022

"Houston's Group Acorde to merge dance, visual arts in weekend performances"

Houston Chronicle, August 2021

"Houston's Group Acorde's online dance series sparked by improvisation

Houston Chronicle, December 2019

"10 Exciting Houston dance performances of 2019"

Arts and Culture Texas Magazine, November 2019

"Awakening Conversation: Group Acorde gives us something to talk about"

Voyage Houston Magazine, February 2019

"Art and Life with Group Acorde"

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Houston Press, January 2019

"This multi-disciplinary collaboration gave rise to an interesting exchange of ideas, resulting in an original work that reflects Houston's diverse artistic culture."

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Houston Chronicle, January 2019

"Group Acorde, the 3-year-old collaborative of choreographers Roberta Paixao Cortes and Lindsey McGill and composers Thomas Helton and Seth Paynter, starts 2019 with an expansive new work that incorporates the creative talents of several others."

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Culture Map, January 2019

"Group Acorde's innovative creative process invites each artist involved to communicate, share and exchange ideas with each other even when not in their own art medium."

Group Acorde - Origins - Photographer Ly

Photography  by Lynn Lane

Houston Press, October 2017

"With about a year and a half of work under their belts, they’ve made some pretty daring choices as far as how audiences digest their work."

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Houston Press, August 2017

"Newest kid on the Houston dance block Group Acorde is premiering a work that explores how technology has become so intertwined with our interactions."

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Houston Chronicle, August 2017

"The new Group Acorde looks daring in its resistance to flashy stage effects, focused instead on process and substance."

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Free Press, July 2017

"Performers Roberta Paixao Cortes, Thomas Helton, Lindsey McGill and Seth Paynter will draw inspiration from the setting and audience to produce an intimate performance for all in attendance."

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Houston Press, July 2017

“The audience becomes part of the show; it’s much more interactive. People will be incredibly close to the dancers.”

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